Danas Aleksa belongs to a bright group of Lithuanian sculptors who are successfully trying to revise and return the sculptor’s specialty to the context of contemporary art. Danas Aleksa often bases his works on the use of secondary raw materials, but for him it is not only the material that offers his meta-texts, but the most important issue in the object of research. One such project, which continues the line of the garage as a sculpture and as a historical object, is the exhibition “Titanic”, which already offers to rethink the links or paradigms of the logistics of works of art, gallery spaces, past and present, professional art and garage subculture.For Danas Aleksa physical creation of the sculptures are very important, visible or inferred by the viewer. This time it is hanging garages weighing 2.5 tons in the ceiling of the exhibition hall "Titanic".